Duet: Nikola Anna Bloma, Robert Nae, Keita Marija Bloma, Aeden William Conefrey, Krista Štrausa, Finnian Patrick Hepting
Dancers: Adelīna Balode, Sofija Beļkina, Keita Marija Bloma, Nikola Anna Bloma, Oļesja Čudakova, Taisija Jansone, Nataļja Lipska, Milana Komarova, Margarita Ļaščova, Elenda Neilande, Krista Štrausa, Alisa Tomkoviča, Aleksandra Treimane, Baiba Vītola, Kiryl Baiduk, Genādijs Eisaks, Alexej Filo, Finnian Patrick Hepting, Angel Giraldez, Aeden William Conefrey, Sergejs Martincevs, Jēkabs Murāns, Robert Nae, Fabio Sonzogni, Emīls Ungurs, Mikus Mārtiņš Ungurs
String Quartet: Otto Trapāns, Lāsma Vītola, Kristiāna Krūskopa, Kristīna Zeltkalne-Voika, Arīna Bardova, Aleksandra Brīnuma, Silvija Krauze, Diāna Reimane, Ivars Brīnums, Elīza Čaša, Jānis Pauls
I: Jolanta Lubēja, Yuliya Brauer, Amir Dodarkhojayev, Darius Florian Catana, Elza Leimane, Sabīne Strokša
Pianist: Natālija Dirvuka, Edgars Tomševics
II: Raimonds Martinovs, Aleksandrs Osadčijs, Kārlis Cīrulis, Antons Freimans, Finnian Patrick Hepting, Kristaps Jaunžeikars, Aeden William Conefrey, Emīls Ungurs, Annija Kopštāle, Emma Lagūna, Izabella Monastirska-Urtāne, Paula Lieldidža-Kolbina, Paulīna Druka, Alisa Tomkoviča
III: Laine Paiķe, Gundega Guna Reinika, Anastasija Blažnova, Ivanna Catana, Milāna Aleksejeva, Helēna Atslēdziņa, Jete Lakuča, Darja Orlova, Lada Vahatova, Genādijs Eisaks, Leo Rech, Emīls Ungurs, Mikus Mārtiņš Ungurs, Donats Rudzītis, Andžejs Signarskis, Alexej Filo, Jēkabs Murāns
THE CONCERT (OR, THE PERILS OF EVERYBODY)
The American choreographer Jerome Robbins (1918-1998) intended his ballet The Concert (or, The Perils of Everybody) as a comical parody of classical music listeners. The action unfolds during a Frédéric Chopin piano recital, where the music draws its listeners into the depths of their imagination and innermost thoughts. As imaginary characters come to life, they reveal human weaknesses and the boundless landscapes of the imagination.
Premiered in 1956, The Concert (or, The Perils of Everybody) is an entertaining work that playfully reflects our own delightful flaws and quirks with humour and charm.
Robbins wrote about his ballet: “One of the pleasures of attending a concert is the freedom to lose oneself in listening to the music. Quite often, unconsciously, mental pictures and images form, and the patterns and paths of these reveries are influenced by the music itself, or its programme notes, or by the personal dreams, problems and fantasies of the listener. Chopin’s music in particular has been subject to fanciful ‘programme’ names, such as the Butterfly Etude, the Minute Waltz, the Raindrop Prelude, etc.”
CACTI
The world-famous Swedish choreographer Alexander Ekman (b. 1984) dedicated his contemporary ballet Cacti to the subject of art critique. “This work is about how we observe art and how we often feel the need to analyse and ‘understand’ art. I believe that there is no right way and that everyone can interpret and experience art the way they want. Perhaps it’s just a feeling that you can’t explain or perhaps it’s very obvious what the message is. [..] Cacti was created during a period of my life where I was very confused and upset every time someone would write about my work. I did not find it fair that one person was going to sit there and sort of decide for everyone what the work was about,” explains Ekman.
The performance features music by Franz Joseph Haydn, Ludwig van Beethoven and Franz Schubert, performed by a string quartet. The production premiered at the Nederlands Dans Theater 2 in 2010.
Performed by permission of The Robbins Rights Trust through special arrangement with Music Theatre International (MTI) www.mtishows.com
© Saul Steinberg, ARS, AKKA/LAA, 2025
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