Hailed by The Guardian as “one of the great Wagner basses of our time” Ain Anger made his Bayreuth Festival debut as Fafner in Das Rheingold and Siegfried under Christian Thielemann before singing Hunding in new Ring Cycles at Bayerische Staatsoper (Kent Nagano), Wiener Staatsoper (Franz Welser-Möst) and Oper Frankfurt (Sebastian Weigle). He made an acclaimed debut at Teatro alla Scala as Daland (Der fliegende Holländer) under Hartmut Haenchen, sang Pogner in San Francisco’s production of Die Meistersinger von Nürnberg under Sir Mark Elder and joined Deutsche Oper Berlin at the BBC Proms in Tannhauser under Donald Runnicles.
A mainstay of the Wiener Staatsoper stage since his house debut as Monterone (Rigoletto) in 2004, Ain Anger has now sung more than forty roles there ranging from Dosifei (Khovanshchina), Koenig Heinrich (Lohengrin) and Philippe II (Don Carlos) to Pogner (Die Meistersinger von Nürnberg), Zaccaria (Nabucco) and Fiesco (Simon Boccanegra).
Ain Anger’s current season includes two anticipated roles debuts: Boris Godunov for Deutsche Oper Berlin under Kirill Karabits and Hagen in Tim Albery’s production of Götterdämmerung at the Canadian Opera Company under Music Director, Johannes Debus. Elsewhere in the season, Anger joins Christian Thielemann as Fafner (Das Rheingold) at Semperoper Dresden, and Adam Fischer as Hunding (Die Walküre) at Wiener Staatsoper, both subsequently touring to Japan.
Recent highlights include a unanimously praised debut at the Royal Opera House, Covent Garden as Pimen in Richard Jones’ new production of Boris Godunov under Sir Antonio Pappano, and as Cardinal Brogni in Calixto Bieito’s new production of La Juive at Bayerische Staatsoper, conducted by Bertrand de Billy. At Washington National Opera, Ain Anger appeared as Daland under Philippe Auguin, and has appeared in productions of both Tannhauser and Lohengrin at Deutsche Oper Berlin.
On the concert platform, Ain Anger has recently performed Mussorgsky’s Songs and Dances of Death with the Scottish Chamber Orchestra (Olari Elts), Mahler’s Symphony No.8 with Symphonieorchester des Bayerischen Rundfunks (Mariss Jansons), Verdi’s Messa da Requiem with Sydney Symphony Orchestra (David Robertson) and Dallas Symphony Orchestra (Jaap van Zweden), as well as Beethoven’s Symphony No.9 with Gewandhausorchester Leipzig (Riccardo Chailly).
Trained at Tallin's Academy of Music, Ain Anger began his career in his native Estonia before joining the ensembles of Oper Leipzig, Staatsoper Hamburg and subsequently Wiener Staatsoper.