Baritona solo: Armands Siliņš-Bergmanis
Solisti: Justīna Teličena, Viktors Seiko, Alise Prudāne-Spridzāne, Yuliya Brauer, Elza Leimane, Sabīne Strokša, Jolanta Lubēja, Laine Paiķe, Milana Komarova, Antons Freimans, Philip Fedulov, Germans Ševčenko, Aleksandrs Osadčijs, Fabio Sonzogni, Kiryl Baiduk, Darius Florian Catana, Finnian Patrick Hepting, Robert Nae
Solisti: Viktors Seiko, Yuliya Brauer, Jolanta Lubēja, Alise Prudāne-Spridzāne, Sabīne Strokša, Annija Kopštāle, Ieva Rācene, Philip Fedulov, Raimonds Martinovs, Darius Florian Catana, Aleksandra Astreina, Paulīna Druka, Emma Lagūna, Laine Paiķe, Jete Lakuča, Justīna Teličena
In one evening, two 20th and 21st century classics – George Balanchine’s ballet Serenade and Edvard Clug’s contemporary choreography for Carl Orff's oratorio Carmina Burana – will meet on the Grand Stage of the Latvian National Opera.
George Balanchine is considered the most influential classical ballet choreographer of the 20th century and the founder of neo-classical ballet. In the 1920s, he was the choreographer Sergei Diaghilev’s legendary Ballets Russes. His founding of the School of American Ballet in 1934 opened the way for the development of classical ballet in the United States. He founded the New York City Ballet in 1948 and was its artistic director and leading choreographer until the end of his life in 1983. He choreographed hundreds of ballets during his lifetime and worked on Broadway and Hollywood projects, as well as in opera and television.
Ballet Serenade by George Balanchine is considered one of the cornerstones of dance history. This visually poetic choreography was originally created for ballet students. The ballet Serenade is based on Peter Tschaikovsky’s Serenade for String Orchestra in C Major and was first performed in 1934 by students of the School of American Ballet at the estate of Felix Warburg outside of New York City. It is Mr. Balanchine’s most performed ballet, licensed to this day by schools as well as ballet companies all over the world.
Choreography by George Balanchine ©The George Balanchine Trust
Edward Clug's contemporary choreography is based on the legendary oratorio Carmina Burana by German composer Carl Orff (1895-1982), which illustrates the twists and turns of human life subject to the whims of fate. The cantata uses a medieval collection of poetry found in a Bavarian monastery, which deals with various themes: the impermanence of success and wealth, the fleeting nature of life, the coming of spring, and the pleasures and miseries of drink and lust. The central symbol of the oratorio, the wheel of fate, turns, transforming joy into bitterness and hope into mourning. The main visual element in Edward Clug’s choreography is the circle – the simplest and at the same time the most complete natural form. Carmina Burana premiered at Les Grands Ballets Canadiens in Montreal in October 2019. The LNO orchestra, choir and soloists also take part in this grand production by the Latvian National Ballet.
The Artistic Director of Maribor Ballet Edward Clug is an internationally renowned Romanian contemporary ballet choreographer. He has left his distinctive artistic signature on productions of the world’s most important ballet theaters and festivals, and he has received numerous awards. The first opportunity for the Latvian public to get to know the choreography of Edward Clug was in 2016, when the Latvian National Ballet staged the contemporary ballet Peer Gynt with music by Edvard Grieg.